Dr Peter Moseley is an experienced photographer and printmaker using the techniques and processes of the nineteenth century, including photogravure, platinum, salt and albumen, carbon transfer, kallitype, collotype and cyanotype printing. He specialises in combining digital and analogue technologies and has exhibition entries shown at national and regional galleries, including the National Portrait Gallery, the Royal Society of Printmakers Painters, the Royal Birmingham Society of Artists and the Royal West of England Academy. 

Surface Matters honours that tradition by returning to these slow, meticulous methods. Featuring contemporary platinum/palladium and photogravure prints, the exhibition explores how materiality—both photographic and physical—can deepen our engagement with time, memory, and the emotional tenor of place and portraiture.